Steve Art Gallery LLC
USA Oil Painting Reproduction

 
 


Painting ID::  42038
The adoracion of the shepherds
mk166 First half of the 17th century. I wave on cloth 107x131cm Museum of the Louvre, Paris

Georges de La Tour The adoracion of the shepherds oil painting reproduction


   
 

 

 
   
      


Painting ID::  42039
The adoracion of the shepherds
mk166 1690 I Wave on cloth 91x46cm Museum of the Louvre Paris

Charles Lebrun The adoracion of the shepherds oil painting reproduction


   
 

 

 
   
      


Painting ID::  42064
The adoracion of the shepherds
mk166 1703 I Wave on board 53x36cm Uffizi, Florence

Adriaen van der werff The adoracion of the shepherds oil painting reproduction


   
 

 

 
   
      

Adriaen van der werff
Dutch Baroque Era Painter, 1659-1722 Dutch painter and draughtsman. He was apprenticed to the portrait painter Cornelis Picolet (1626-79) from 1668 to 1670 and then from c.1671 to 1676 to Eglon van der Neer in Rotterdam. From 1676 van der Werff produced small portraits and genre paintings as an independent master; the Cook and Hunter at a Window (1678; New York, priv. col.; see Gaethgens, no. 2) and Man and Woman Seated at a Table (1678; St Petersburg, Hermitage) perpetuate the thematic and stylistic traditions of Gerrit Dou, Gabriel Metsu, Frans van Mieris and Gerard ter Borch (ii) but are distinguished by their greater elegance and richness of costume and interior. Van der Werff's portraits date mainly from the years 1680-95 (e.g. Two Children with a Guinea-pig and a Kitten (1681; London, Buckingham Pal., Royal Col.)). The motif of children with animals recalls van der Neer, while the careful depiction of fabrics recalls the Leiden school of 'Fine' painters. His Portrait of a Man in a Quilted Gown (1685; London, N.G.) resembles compositions by Caspar Netscher and Nicolaes Maes: a figure leaning against a balustrade, before a landscape. Van der Werff's work is, however, more elegant, in part because of the depiction of fabrics
The adoracion of the shepherds
mk166 1703 I Wave on board 53x36cm Uffizi, Florence

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